Starting from Paris, a little girl accompanies her mother - the filmmaker herself - to go to Iran, thus joining her grand-father and starting on a journey to Afghanistan, a country often dreamt of, but never visited since three generations, since her great grand-father - and being filmed on her turn by her eight-year-old daughter, with a pocket camera - the filmmaker mingles her own vision with that of her daughter and thus makes a journey diary, as the family album unfolds before our eyes. In her ancestor's country, the moving discovery of forgotten ladscapes and improbable encounters with distand partents, make the family's memory, reborn, thus deplacing the borders of its territory and drawing a new horizon.
Little is known about Afghanistan, apart from a few
clichés, the word Taliban, and a war which seems never
to have stopped since the Soviet Union and the turning
point reached in 2001. With this film, Sepideh Farsi took up again the documentary format she had started with, and using only one came...
Tell Spring Not to Come This Year follows one unit of the Afghan National Army over the course of their first year of deployment in Helmand without NATO support. It is an intimate film about the human side of combat, told from a largely unheard and misrepresented perspective, that explores the de...
Since 2013 the Australian Government has been incarcerating refugees and asylum seekers arriving by boat on Manus Island and Nauru. The Manus Island compound currently detains a refugee who is also a journalist. This individual strives to gather information for an Australian journalist visiting t...